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You can download the original sample and color grade it!nnCanon EOS C100 video sample

Canon C100 Sample (C-Log): Low Light #1

⏲ 24 sec ✓ 15-Jul-2014

Shooting:nCanon EOS M Camera with Magic LanternnAsahi Pentax 50mm f/1.4nKowa 16S Anamorphic AdapternSandisk Extreme Pro 32gb 95mb/s Cardn1376x688 Mlv Raw Video (2.40:1)nHandheld (stabilized at post)nnColor Grading:nAfter Effects with Adobe Camrea RawnVision LognColorista

(Kowascope) EOS M Raw Video - Asahi 50mm f 1.4 - Kowa 16-S Anamorphic

⏲ 1 min 28 sec ✓ 28-Apr-2016

In December, we only had from sun-up to sun-down in Yosemite National Park. Most of the trails we wanted to go on were closed, so we decided to try and see as much of the park as we could.nnFor all of you out there who read specs on what the FS5 RAW + Shogun Inferno is capable of, but just want to see some solid footage... I made this video for just that. Not saying there isn't great footage out there, but I found myself searching and searching, trying to find something that matched what all the

A Day in Yosemite

⏲ 1 min 19 sec ✓ 05-Mar-2019

This INDOOR test footage was shot with a pre-production Sony PXW-FX9 in November 2019.nAll clips were shot with natural light and/or a single Litepanels Astra 6X.nAll clips were shot with S-LOG3.Cine in the camera's 800 ISO base mode.nAll clips were graded in DaVinci Resolve using Sony's

Sony PXW-FX9 Test Footage #4 (S-LOG: Indoor)

⏲ 2 min 62 sec ✓ 16-Nov-2019

Camera: ARRI Alexa MininSettings: 25fps, 1/50th shutter, ISO 800, ProRes 4444, UHD, Log C.nnPost in DaVinci Resolve. Log C to Rec709 LUT applied and exposures matched. No color correction.

Lens Test Leica-R Elmarit Summicron (19mm F2.8, 24mm F2.8, 35mm F2.8, 50mm F2, 90mm F2.8, 135mm F2.8, 180mm F2.8)

⏲ 90 sec ✓ 29-Oct-2018

http://www.dogschidtoptiks.co.uknnThis is a test I undertook last night to provide a client who requested the following:-nFF58nQ1.5 Aperture (Ultra Low Contrast Aperture, f2 lens speed)n'Stupid Low Contrast'nHigh Prominence Bronze TintnElement SeparationnCleaning Marks nDust/Dirt/DebrisnnIt's a very very low con lens indeed.Maybe too much, hence why I feel the need to supply him with this as a reference before i tick the lens off as good to go.nnI tested the lens against a good reference lens,

FF58 Q1.5 vs Zeiss 50mm f1.4 - client reference sample

⏲ 1 min 49 sec ✓ 06-Nov-2014

http://richardgaleoptics.uknnLiterally a quick flare test.Nothing more.Proper footage to follownnSony F3 proving she's still got it.3200iso, S-Log, 3400k, internal 35mbs XDCAM to SXS card.nnCombo of old Leitzfrom 1969 and a pre-production OLIVIA SCOPE.prime lens wide open at f2.focused at infinity (this unit is fixed at infinity but was for testing anti reflective coatings). nnLight sources? None! - 1 street lamp and a Maglite 2AA with standard bulb (non LED).first take - lumet

OLIVIA-SCOPE+SUMMICRON-R-35mm (1969) at f2 - PMW-F3 - XDCAM - Graded-Ungraded

⏲ 25 sec ✓ 02-Aug-2016

Some months ago, I posted Part 1 of my PMW-F3 S-Log video series, and now, after waiting for the new 1.2 firmware to be released, Part 2 is here. In this video, I explain the new Exposure Index mode in the F3 and what it does for the camera. Watch my video above to learn more, and look for future segments coming soon.nnYou can find the rest of Andy's series here: nPart 1: On the Charts - https://vimeo.com/27333811nPart 3: Application - https://vimeo.com/35382463nPart 4: In-Camera Look Up Tables

S-Log and the Sony F3 – Part 2: Exposure Index Mode

⏲ 3 min 32 sec ✓ 11-Jan-2012

In the fourth part of my Sony F3 S-log series, I explain how to create Look Up Tables (LUTs) to be used in the camera. When shooting in S-Log, the F3 allows you to apply a LUT to an output of the camera, letting the operator visualize how the image will look after post-production correction. In Part 1 of the series, I covered the in-camera Look Up Tables that come with the camera, and now I go over how to make your own. In the video, I show how to use the Sony CVP File Editor; find the download

S-Log and the F3 – Part 4: In-Camera Look Up Tables

⏲ 8 min 53 sec ✓ 22-Mar-2012

Treatment nnThe original broad idea of ‘social networking’ was distilled down into a conceptual idea of how social human beings are and how this has been changed or amplified through the use of online social networks. nnThe phrase ‘How Social Are You?’ was decided as the principle project driver.nnFrom this concept, statistics were investigated on how social networks are used by mass population, for example;n-tThe average Facebook user has 130 friendsn-t¼ of twitter users regularly use

Motion Graphics Project - Social Networks (How Social Are You?)

⏲ 15 sec ✓ 10-May-2012

At SAGE, we focus on great food and food for thought. We teach communities where their food comes from, whether it’s supplied by a local farm or inspired by another country. Our Paquito’s® station delivers the authentic flavors of traditional and contemporary Latin American and Caribbean cuisine.nnThe Jamaican version of empanadas is a popular street food known as beef patties on the islands. To amp up the spice, mince up a scotch bonnet pepper or a serrano pepper and add in with the onions

Jamaican Beef Hand Pies

⏲ 3 min 38 sec ✓ 07-May-2020

Panasonic Varicam 35 Dynamic Range Test:nnPlease note: UPDAT3D. Please see notes below. nnLit in depth, varied light levels, to determine camera's resolution in the shadows and highlights both in the foreground and background. Pushed the system 7 stops in highlights and shadows, opening up and closing down respectively. This way, you are able to see the performance of the camera within different depths as opposed to using a set F-stop and changing light levels. nnThe Varicam 35 has two native IS

Panasonic Varicam 35 Dynamic Range Test - 4K - UPDAT3D Jan 3 2017

⏲ 1 min 81 sec ✓ 21-Nov-2016

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