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Drake shares backstage hug with Birdman in the middle of Kendrick Lamar beef
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Ivan Cornejo \
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Lady CEO Is Return 1
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Shaitaan _ Full HD Movie _ Ajay Devgn, R Madhavan, Jyotika _ Thriller Movie
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Bombay Fashion Week में Malaika Arora ने Ramp पर गिराई बिजलियां, 50 की उम्र में दिखीं बेहद Hot
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Heeramandi The Diamond Bazaar Season 1 Episode 5 Dubbed Hindi
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ABBA exhibition opens in Malmö ahead of Eurovision Song Contest: But will the band be performing?
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Study Suggests Lyrics Have Gotten Simpler Over Time
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_drake-shares-backstage-hug-with-birdman-in-the-middle-of-kendrick-lamar-beef.jpg "Drake subliminally responded to Kendrick Lamar's \")
_ivan-cornejo-92.jpg "Ivan Cornejo has returned to Genius, gracing the Open Mic stage with his latest hit “Baby Please.” Produced by Frank Rio, the single soared to number 8 on the Billboard Hot Latin Songs chart. This marks the singer-songwriters second single, following the success of “Está Dañada,” to break into the top 10 on the chart. Fresh off headlining the Houston Rodeo, the 19-year-old sensation continues to captivate audiences with his soul-soothing music, solidifying his status as a rising superstar in the making.")
_lady-ceo-is-return-1.jpg "Lady CEO Is Return 1")
_shaitaan---full-hd-movie---ajay-devgn-r-madhavan-jyotika---thriller-movie.jpg "‘Shaitaan’ movie review: R Madhavan makes the mean monster shine opposite Ajay Devgn in this horror show.<br/>Backed by a poignant premise and powerful performances, director Vikas Bahl generates some genuine moments in eerie situations but surprisingly shows a straight bat in the slog overs.<br/>The film is a remake of the Gujarati horror film Vash (2023). Janki Bodiwala reprises her role from the original here. Kabir (Ajay Devgn) and Jyoti (Jyotika), along with their teenage daughter Jahnvi (Janki Bodiwala), and son Dhruv (Anngad Raaj) drive away to their remote farmhouse to spend some quality time. Their tranquillity shatters when a stranger. Vanraj Kashyap (R Madhavan), enters their world. He somehow takes complete control of Jyoti’s will and makes her a slave of sorts. She harms herself, almost kills her brother, slaps her father and fights with her mother. All this is brought out in visceral detail. The viewer is spared nothing. Kabir and Jyoti try vainly to get Janhvi to listen to them but to no avail. Things keep escalating. Vanraj wants to take away Janhvi but he would only do so with their explicit permission. We learn that he’s an evil tantrik who wants to take over the world. And must sacrifice a bevy of girls to do so. He succeeds in luring Janhvi away and now it’s up to Kabir to save her and other girls from being killed.<br/><br/>The film starts with a disclaimer that the film isn’t propagating superstition and then proceeds to do so for the next two hours. Vanraj equates himself to God, claims he can control anyone if he deems fit and indulges in the sort of mumbo jumbo even street magicians will steer clear off. The climax scene, which showcases mass hypnotism, features young girls all eager to throw themselves in a pyre. There’s no backstory as to why he’s become this instrument of evil. He’s made to spout some nonsense about controlling the life of everyone in the world and we’re supposed to believe that.<br/><br/>Ajay Devgn played a laid-back man who uses his wits to save his family in the Drishyam franchise and kind of steps back into the Drishyam mould again in this film. He’s perfectly cast as the super caring dad who keeps a close watch on his children but gives them ample freedom at the same time. He brings out the helplessness and dedication of a loving father who would do it all to save his world from falling apart perfectly well and looks good in action scenes as well. Jyothika, seen in a Hindi film after aeons, is cast as a caring mother who fights like a wounded lioness when it comes to saving her daughter. Her reactions look totally genuine. She uses her body language and expressive eyes to convey a range of emotions. She shares a good rapport with Ajay Devgn. It’s good to see middle-aged stars being cast together and acting their age. It’s a step in the right direction indeed. Madhavan and Jyothikha have acted in romantic comedies like Dumm Dumm Dumm (2001) and Priyamaana Thozhi (2003) earlier and have a reunion of sorts in Shaitaan. But")
_bombay-fashion-week-malaika-arora-ramp-50-hot.jpg "Malaika Arora looking too gorgeous as She walks with grace on ramp of Bombay fashion week. Watch Out <br/> <br/>#MalaikaArora #BombayFashionWeek #RampWalk #ViralVideo<br/>~PR.128~ED.141~HT.318~")
_heeramandi-the-diamond-bazaar-season-1-episode-5-dubbed-hindi.jpg "The series will explore themes of love, betrayal, succession and politics in the ‘kothas’ or bordellos of Heeramandi through three generations of courtesans.<br/>")
_abba-exhibition-opens-in-malm-ahead-of-eurovision-song-contest-but-will-the-band-be-performing.jpg "Fans will be able to immerse themselves in the complete ABBA experience for the first time ever during the two weeks of the Eurovision Song Contest, hosted in Malmö.")
_study-suggests-lyrics-have-gotten-simpler-over-time.jpg "Study Suggests , Lyrics Have Gotten , Simpler Over Time.<br/>According to a recent study, the lyrics <br/>of modern-day music have become more <br/>repetitive over the course of the last 40 years. .<br/>'Newsweek' reports that the study found <br/>English-language songs have become not only <br/>more repetitive but also simpler over time.<br/>Music is ubiquitous in our everyday lives, and lyrics play an integral role when we listen to music. , Study authors, via 'Newsweek'.<br/>Researchers looked at lyrics of over 12,000 English-<br/>language songs across a number of genres, including rap, <br/>country, rock and pop, released between 1980 and 2020.<br/>The complex relationships between lyrical content, its temporal evolution over the last decades, and genre-specific variations, however, are yet to be fully understood, Study authors, via 'Newsweek'.<br/>The findings suggest that lyrics became easier <br/>to understand and the number of different <br/>words used in the songs also decreased. .<br/>In this work, we investigate <br/>the dynamics of English lyrics <br/>of Western, popular music over <br/>five decades and five genres, <br/>using a wide set of lyrics descriptors, <br/>including lyrical complexity,<br/> structure, emotion, and popularity, Study authors, via 'Newsweek'.<br/>In this work, we investigate <br/>the dynamics of English lyrics <br/>of Western, popular music over <br/>five decades and five genres, <br/>using a wide set of lyrics descriptors, <br/>including lyrical complexity,<br/> structure, emotion, and popularity, Study authors, via 'Newsweek'.<br/>According to the authors, the findings <br/>suggest how music is largely being used as <br/>background noise in the modern day. .<br/>The study also found that the meaning expressed <br/>in lyrics has also changed in the past four decades.<br/>We confirm previous analyses <br/>showing that the emotion described <br/>by lyrics has become more negative <br/>and that lyrics have become more <br/>personal over the last five decades, Study authors, via 'Newsweek'.<br/>The team's findings were published <br/>in the journal 'Scientific Reports.'")
_drake-shares-backstage-hug-with-birdman-in-the-middle-of-kendrick-lamar-beef.webp "Drake subliminally responded to Kendrick Lamar's \")
_ivan-cornejo-92.webp "Ivan Cornejo has returned to Genius, gracing the Open Mic stage with his latest hit “Baby Please.” Produced by Frank Rio, the single soared to number 8 on the Billboard Hot Latin Songs chart. This marks the singer-songwriters second single, following the success of “Está Dañada,” to break into the top 10 on the chart. Fresh off headlining the Houston Rodeo, the 19-year-old sensation continues to captivate audiences with his soul-soothing music, solidifying his status as a rising superstar in the making.")
_lady-ceo-is-return-1.webp "Lady CEO Is Return 1")
_shaitaan---full-hd-movie---ajay-devgn-r-madhavan-jyotika---thriller-movie.webp "‘Shaitaan’ movie review: R Madhavan makes the mean monster shine opposite Ajay Devgn in this horror show.<br/>Backed by a poignant premise and powerful performances, director Vikas Bahl generates some genuine moments in eerie situations but surprisingly shows a straight bat in the slog overs.<br/>The film is a remake of the Gujarati horror film Vash (2023). Janki Bodiwala reprises her role from the original here. Kabir (Ajay Devgn) and Jyoti (Jyotika), along with their teenage daughter Jahnvi (Janki Bodiwala), and son Dhruv (Anngad Raaj) drive away to their remote farmhouse to spend some quality time. Their tranquillity shatters when a stranger. Vanraj Kashyap (R Madhavan), enters their world. He somehow takes complete control of Jyoti’s will and makes her a slave of sorts. She harms herself, almost kills her brother, slaps her father and fights with her mother. All this is brought out in visceral detail. The viewer is spared nothing. Kabir and Jyoti try vainly to get Janhvi to listen to them but to no avail. Things keep escalating. Vanraj wants to take away Janhvi but he would only do so with their explicit permission. We learn that he’s an evil tantrik who wants to take over the world. And must sacrifice a bevy of girls to do so. He succeeds in luring Janhvi away and now it’s up to Kabir to save her and other girls from being killed.<br/><br/>The film starts with a disclaimer that the film isn’t propagating superstition and then proceeds to do so for the next two hours. Vanraj equates himself to God, claims he can control anyone if he deems fit and indulges in the sort of mumbo jumbo even street magicians will steer clear off. The climax scene, which showcases mass hypnotism, features young girls all eager to throw themselves in a pyre. There’s no backstory as to why he’s become this instrument of evil. He’s made to spout some nonsense about controlling the life of everyone in the world and we’re supposed to believe that.<br/><br/>Ajay Devgn played a laid-back man who uses his wits to save his family in the Drishyam franchise and kind of steps back into the Drishyam mould again in this film. He’s perfectly cast as the super caring dad who keeps a close watch on his children but gives them ample freedom at the same time. He brings out the helplessness and dedication of a loving father who would do it all to save his world from falling apart perfectly well and looks good in action scenes as well. Jyothika, seen in a Hindi film after aeons, is cast as a caring mother who fights like a wounded lioness when it comes to saving her daughter. Her reactions look totally genuine. She uses her body language and expressive eyes to convey a range of emotions. She shares a good rapport with Ajay Devgn. It’s good to see middle-aged stars being cast together and acting their age. It’s a step in the right direction indeed. Madhavan and Jyothikha have acted in romantic comedies like Dumm Dumm Dumm (2001) and Priyamaana Thozhi (2003) earlier and have a reunion of sorts in Shaitaan. But")
_bombay-fashion-week-malaika-arora-ramp-50-hot.webp "Malaika Arora looking too gorgeous as She walks with grace on ramp of Bombay fashion week. Watch Out <br/> <br/>#MalaikaArora #BombayFashionWeek #RampWalk #ViralVideo<br/>~PR.128~ED.141~HT.318~")
_heeramandi-the-diamond-bazaar-season-1-episode-5-dubbed-hindi.webp "The series will explore themes of love, betrayal, succession and politics in the ‘kothas’ or bordellos of Heeramandi through three generations of courtesans.<br/>")
_abba-exhibition-opens-in-malm-ahead-of-eurovision-song-contest-but-will-the-band-be-performing.webp "Fans will be able to immerse themselves in the complete ABBA experience for the first time ever during the two weeks of the Eurovision Song Contest, hosted in Malmö.")
_study-suggests-lyrics-have-gotten-simpler-over-time.webp "Study Suggests , Lyrics Have Gotten , Simpler Over Time.<br/>According to a recent study, the lyrics <br/>of modern-day music have become more <br/>repetitive over the course of the last 40 years. .<br/>'Newsweek' reports that the study found <br/>English-language songs have become not only <br/>more repetitive but also simpler over time.<br/>Music is ubiquitous in our everyday lives, and lyrics play an integral role when we listen to music. , Study authors, via 'Newsweek'.<br/>Researchers looked at lyrics of over 12,000 English-<br/>language songs across a number of genres, including rap, <br/>country, rock and pop, released between 1980 and 2020.<br/>The complex relationships between lyrical content, its temporal evolution over the last decades, and genre-specific variations, however, are yet to be fully understood, Study authors, via 'Newsweek'.<br/>The findings suggest that lyrics became easier <br/>to understand and the number of different <br/>words used in the songs also decreased. .<br/>In this work, we investigate <br/>the dynamics of English lyrics <br/>of Western, popular music over <br/>five decades and five genres, <br/>using a wide set of lyrics descriptors, <br/>including lyrical complexity,<br/> structure, emotion, and popularity, Study authors, via 'Newsweek'.<br/>In this work, we investigate <br/>the dynamics of English lyrics <br/>of Western, popular music over <br/>five decades and five genres, <br/>using a wide set of lyrics descriptors, <br/>including lyrical complexity,<br/> structure, emotion, and popularity, Study authors, via 'Newsweek'.<br/>According to the authors, the findings <br/>suggest how music is largely being used as <br/>background noise in the modern day. .<br/>The study also found that the meaning expressed <br/>in lyrics has also changed in the past four decades.<br/>We confirm previous analyses <br/>showing that the emotion described <br/>by lyrics has become more negative <br/>and that lyrics have become more <br/>personal over the last five decades, Study authors, via 'Newsweek'.<br/>The team's findings were published <br/>in the journal 'Scientific Reports.'")
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